Showing posts with label Colorado Plateau. Show all posts
Showing posts with label Colorado Plateau. Show all posts

Sunday, October 28, 2007

Colorado Plateau - Arches National Park


Arches National Park, Utah, USA is at the northern edge of the Colorado Plateau and may be one of the best known features of this huge sandstone tableland. Arches National Park contains the world's largest concentration of natural stone arches.

This park is a red desert, punctuated with eroded sandstone forms such as fins, pinnacles, spires, balanced rocks, and arches. The 73,000-acre region has over 2,000 of these "miracles of nature."

And the park brochure my sister and I picked up the first evening we entered the park said it could be seen in 2 to 2 1/2 hours. Five days later we were still making twice daily trips to photograph this arch or that arch or that pinnacle per a guide we found on line detailing whether morning or evening light was best. One of the most known arches is Delicate Arch shown above (photograph by the Utah Visitor's Center). But one of the most stunning views is Park Avenue, the first Kodak photo opportunity upon cresting the top of the mesa on a road that takes your breath away.



There is a 2 1/2 mile trail that passes through these fins and pinnacles. We didn't take it because it was 2 1/2 miles back and we were aware the morning that we photographed this wonderful view that we were not going to have enough time to photograph everything of beauty. We did go part of the way down the trail which gave us this view. I think it looks like a Pharaoh and his Visor parading toward the rising sun.



Trails are on sandstone or slick rock and so paths are difficult to see unless they are marked by stones something the National Park Service does very well. You very quickly learn to follow the carrions or stone stacks and to set them up yourself when crossing open territory. And it rapidly becomes a good luck action to add another stone on top. Being very careful, of course to not knock it over.



Below is a massive stone fin which can be seen for miles in all directions. Mother Nature is the mistress of stone piling though this is mostly one rock, one huge rock.



Fins (stone formations longer than they are wide) often erode into arches like the one below. I was trying to wait for everyone to move out of the picture when it dawned on me that this grouping within the window of the arch give the viewer a fell of the size of these formations.



The lines along its base indicate that the pushing up of this once sedimentary sea floor was not universally even. The vegetation is typical of high mesa land in the southwest.

For more information on Arches National Park I refer you to the Utah website and for a Map of the area.

Next Colorado Plateau post will have more photos of Arches and continue into nearby Canyonlands.

Saturday, October 27, 2007

The Colorado Plateau

I considered for awhile being very academic and and organized about this tour of this mystical land that I love. But that is not working for me and blogging is really about me. It is suppose to be an online journal that we share with friends. My friend list has gotten bigger than I even figured I wanted and judging from the jumps in visitor numbers with no comments placed bigger than even I imagine.

Given that the temptation is to write for the reader. There is tons out there about the Colorado Plateau that is written for the reader. Wikipedia does a fairly good job on the geology of the Colorado Plateau for those that wish to read in greater depth about the subject. The novice version is this: There was this huge inland sea that filled with sediment, dried up and formed sandstone, became a huge sea again, filled with sediment, dried up and formed sandstone, etc. Then when plate tectonics forced the Rocky Mountains up into the air the sandstone sea rose into the air as much as 7000 feet above sea level. Then wind and rain worked their magic.



Okay, the water seeps down through cracks, freeze and thaw action in the winter increases the cracks, springs work slowly through the summer. But when you look at the shapes it is almost as if some design was behind it all. I think it is magic. How do you get Double Arch at Arches National park just with random winds ad freezes and cracks. The green area on the right of the picture is an area of moss where water and shade have combined to create a mini Oasis for some insects and lizards. Erosion continues. Shapes shift but oh so slowly in the natural turn of events.

The Colorado Plateau is a high desert. It gets less than eight inches of rain a year. And because of the density of the sandstone, which is called slick rock, most of that runs of very quickly and forms the Colorado River. This mighty river by western standards cuts its way down through the sandstone layers as it winds south and west. It forms Glen Canyon now filled with the water of Lake Powell, then the Grand Canyon (which they tried to fill but only got part with Lake Mead). Phoenix, Arizona kills this river by taking all of it that is left in huge canals to turn the desert (Phoenix only gets 3 inches of rain a year) into green landscaping and 150 golf courses.



The plateau or table land (mesa in local lingo) to the left is part of Canyonlands National Park. So is Corona Arch below.



My sister, seen at the base of this arch, pushed me along the trail that clung to the edge of the canyon behind her. She charges on in life. I constantly look behind for escape routes. Getting down is often not as easy as getting up. And this arch and Bowtie below are in an undeveloped area of Canyonlands. Slip and fall and you could be here for weeks before someone notices the car down at the roadside pull off. But the views and the arches were well worth the risk and the hike in 90F degree heat.



The view of Mesa Arch below is included because it shows in the background the endless plateaus that stretch across this area of the Colorado Plateau.




All these photos are of locations in the Northern part of the Colorado Plateau near Moab, Utah. In fact we camped in a Moab RV park and toured from there for more than a week. A guide book had said we could see Arches in three hours and Canyonlands in two days. We left it without having seen it all.

The pictures cannot tell you of the magic you feel standing in the silence and beauty of this area. I, like the ancient peoples lived here and the Navajo, believe it is inhabited by spirits. Very friendly spirits but not fond of carelessness.

Several of these scenes you will recognize from paintings I have done and posted. They enchant me.

For those that might want to visit and get your own photos and experiences I suggest National Geographic's site.


Friday, October 26, 2007

My Views of the Colorado Plateau

Mystic Passage


I love the Colorado Plateau and it often serves as my muse for my paintings. The following paintings were all created from pictures I took in my travels around various sections of this high mesa area lapping over the states of Colorado, Utah, Arizona and New Mexico.

My subsequent post will feature some of the photographs of landmarks that were used as inspiration for these paintings.

To the left is Mystic Passage which was inspired by Double Arch at Arches National Park in Utah, USA. and one of the most noteworthy and known areas of the Colorado Plateau.

Trail to Arsenic Springs


It is 24 x 18 mixed media on canvas depiction of the Wild Rivers Park on the Rio Grande Gorge in Northern New Mexico; the eastern edge of the Colorado Plateau. And I was practicing stormy skies and a slightly more subdued palate to indicate less than full sunshine. I needed to practice that for the following painting: Escalante After the Rain, which is inspired by my sister's and my house boat trip on Lake Powell. After heavy rains waterfalls formed on the canyon walls and transformed the canyons.



This is the 24 x 36 inch canvas I was so afraid to attempt. I don't think the photograph of this work does it merit because I have put in metallic silver and gold into the waterfalls and a luminescent paint on the slick rock walls of the canyon in the distance.

While I was doing these two paintings I decided to revisit a painting I had done two years ago of Bowtie Arch at Canyonlands Utah. It was taken from a less than successful photograph that I decided to play with on my computer in Photoshop and then print on watercolor paper and add paint to. It sold at its first public viewing and I have sold numerous prints. It is a somber piece. And I was just curious to see if it could be brightened up in keeping with my new style. This is the result.



I call it Coyote Portal II and it is a 14 x 11 mixed media on canvas board.

The Navajos believe that Coyote came up through a hole in the earth and led the people or Dinah to the earth they now inhabit. Looking at this arch in a side area of Canyonlands, Utah I was reminded of this story.

The lands of the Colorado Plateau are indeed magical and inspire a lot of photographers and artists and writers.

Monday, October 22, 2007

Back to the Colorado Plateau


Rather than focus on one of the National and State Parks that abound in the Colorado Plateau area I figured I would just highlight some of the natural land features. For those of us familiar with this area of the country there really is no such thing as a bad view. And the effect of wind, rain and time have created some fantastic formations.

The one to the right is of Navajo Sandstone - it's the white stuff. Usually when people think of sandstone they are apt to think of the red stuff like found in the Grand Canyon. The following rather typical "wedding cake" formation is of the red sandstone.



The hints of sage green in the middle ground are vegetation very much like that in the foreground; rabbit bush, snake weed, gamma grass. Livestock has to walk a long way to get a meal and even further for water.



This photo was taken working up and over one of those wedding cake formation ridges. It was 11 miles of this sort of switchbacks. No guard rails. You can see the switch from the Navajo sandstone to the red and the vast emptiness of the land beyond. Those lines are roads. It is not unusual to be able to see 100 miles or more on a clear day. And the days are seldom not clear.



The View from the top. I really had to stop for air. I don't think I took any deep breaths on the way up and I had a feeling the way down was not going to be any easier.




Looking off toward Monument Valley in the far distance. The fence is to keep sheep and cattle off the road. This is part of the Navajo Indian Reservation.



Some formations are up like the ones we have just seen and some are down. This is one of the many natural bridges at Natural Bridges Park in the southern corner of Utah. It is carved out of the Navajo Sandstone laid down by ancient seas. The hallows in the rock catch not only rain but condensation and seeps from springs. The vegetation grows where it can get roots into the cracks that capture moisture. The black vertical streaks on the rocks are called desert lacquer.

What about drought didn't you understand?

This picture was taken on Lake Powell in October of last year. The lake was at that time 120 feet low.

The Colorado River watershed has been suffering an extended drought. This effects the water levels on Lake Powell and Lake Mead but not as much as the electrical and water use of San Diego, Phoenix, Las Vegas and Los Angeles.

Despite warnings for the last five years from the four states involved in the Colorado River drainage basin there has been no conservation of electricity or water downstream from the four corners area. When Glen Canyon Dam which impounds the water of Lake Powell was built there were promises of sharing water with the Navajo and Ute reservations. Promises that have not come to fruition. Nor has the Navajo Reservation been able to benefit from the power generated by water release.

vast majority of the power generated. Lake Mead and Hoover Dam feeds the power needs of Water is released from Glen Canyon Dam per the needs of Los Angeles which currently gets theLas Vegas. Could some one please turn a light off?

One is reminded of Sodom and Gomorrah when shown night time images of Los Angeles and Las Vegas. Nothing to do with the sin and sex but just with the waste. Las Vegas boasts of recycled water in its fountains but I would hazard a guess that with the heat and single digit humidity that the evaporation rate nears 50%. It is currently paying its residents to take up grass and put down gravel but would not consider turning off a fountain.

The only people to benefit from the massive release of water due to gluttonous use of electricity is Phoenix, once a desert it has built a canal system to take water from the Colorado to water over 150 golf courses, fill swimming pools, and landscape its yards.

I listen to the news about the severe situation in Georgia and wonder how long they ignored the lowering of their main water supply before this crisis. We need a conservation plan not just for water but for electricity. And beyond just replacing light bulbs. Just because we can light the night does not mean we should.

Friday, October 12, 2007

The Artistic Journal

If this blog is going to replace my Y360 blog it needs to do the things I have learned how to do there over a period of 10 months. I realized how very much I had developed as a blogger especially photo blogger when trying to copy out all my blogs (some 250).

I have come to really enjoy blogging about my art, the mountain where I live and artistic techniques as well as my political points of view. A journal of my life is in part pictorial because I am an artists, a photographer and a great lover of the land I live in.

My daily life is about images and I communicate to a large extent visually. I also dearly love words ergo blogging and freelance writing. My ideal job would be as a photo journalist. Maybe in my next life time.

This image is called Mystic Passage and it is just one of my many interpretations of the fantastic sandstone formations to be found on the Colorado Plateau. Every artist probably has a painting they would rather not sell. This is my current favorite. But they say if you hod on to a painting then you do not advance beyond it. But I want to hold on to it for just a little. Maybe until my next favorite painting. Usually just have one at a time.

This painting is as much a marker of where I am in my life as my words are. So this blog will feature visual milestones as well as verbal opinions.


All work on blog is the property of J. Binford-Bell dba as Lunacy Limited LLC and subject to copyright protection.